Welcome to the Virtual Art Exhibition August 2026 by Galerie Koronin. This month, we invite you to explore our artists’ personal maps and their creative spaces.
A summer programme characterised by artistic maturity
For this August exhibition, a wonderful surprise awaited the team. Indeed, our artists rose to the challenge with some remarkable works.
Given the wealth of proposals, the selection process was a challenging one. Consequently, several of the artists shortlisted will be featured in our upcoming events this autumn. The overarching theme of our 2026 programme therefore continues to unfold with thrilling intensity.
What is an interior landscape?
The Geography of Emotions
The inner landscape is that intimate realm. Indeed, it is shaped by memory, emotion and the imagination. It is the secret place where form is born in the creator’s mind, even before their hand touches the material.
The refuge: a sanctuary for creation
Furthermore, the studio represents a preserved space and time, both physically and mentally. It is the cocoon in which the artist finds their centre again. There, they take refuge from the noise of the world and allow the work to emerge in complete freedom.
This month’s featured artists
To explore these hidden realms, the gallery is hosting four complementary exhibitions:
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Isabelle Morin (France)
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Valaine de Ranson (Suisse)
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Anya Katarina Sokolova Gassner (Autriche)
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Lenka Sojkaia (Team Lumen)
A pioneering approach: visual art and synthetic creation: Lenka Sojkaia
Furthermore, we would like to highlight a particular aspect that is very important to us. Lenka Sojkaia is part of ‘Team Lumen’. She is an independent creative talent with whom the gallery team has chosen to collaborate.
However, the emergence of AI in the visual arts is fuelling debate amongst cultural authorities. Our role as an independent showcase is therefore ‘limited’ to letting the art speak for itself. We therefore invite you to discover these fascinating works with an open mind.
Digital Watermarking & Artwork Protection:
Galerie Koronin is committed to safeguarding the work of its artists. All visual contents displayed in this online exhibition are embedded with an invisible, indelible digital watermark. This digital stamp certifies the authenticity of each artwork and protects creative works against unauthorized reuse.
Isabelle Morin
Isabelle Morin presents a work of great intensity, bridging the reality of the Atlantic coastline with an intimate exploration of the living world.
Analysis of the Work: Between Dunes and Inner Soul
A Close-up on the Intimacy of the Living World
At first glance, the viewer is immersed in the density of nature. We dive right into a thriving natural world at grass level. The artist chooses a tight framing, highlighting the sanctuary that the dune offers to this fragile flora.
Chromatic Duality as an Inner Landscape
The core of the artwork lies in a vibrant contrast. On one side, bright red berries express a bursting vitality. On the other, the central plant rises in cooler tones. This contrast evokes a dialogue within an inner landscape, where warm passions meet the essential need for stillness.
Watercolor as a Medium of Memory
Furthermore, the mastery of the watercolor technique is remarkable here. It allows sharp details to coexist with soft, diffuse washes. This warm background creates a visual haven. Isabelle Morin does not merely paint a plant; she captures the exact feeling of nestling into the dune.
A Sanctuary Through Contemplation
By focusing on this delicate detail, the artist ultimately transforms a simple corner of the beach into a sanctuary. The refuge becomes mental—an invitation to find peace through attentive observation.
Valaine de Ranson
Valaine de Ranson delivers a masterful painting portraying the unfolding of a sovereign realm. It offers an intellectual and emotional sanctuary—strictly female and protected from external pressures.
Analysis of the Work: The Sacred Circle of Togetherness
A Space-Time Beyond the External Gaze
The strength of this composition stems from a key artistic decision: there is no interaction with the viewer. None of the four women seek our gaze. The male observer thus finds himself in the position of a silent witness, as the figures share a moments of quiet fulfillment.
The Sanctuary as a Haven of Empowerment
Moreover, the interior space forms a cocoon of knowledge and security. The artist expresses the refuge in its most fundamental form: a place to lay down one’s armor. Far from competitive dynamics, interaction thrives on authentic words, illustrating a spirit of free sisterhood.
The Geography of an Inner Landscape
Finally, this inner landscape is structured around a circular arrangement. Seated directly on the floor, the figures form a living circle. The brushwork remains generous and vibrant, while light pours through the window, bathing the room in sacred clarity.
Anya Katarina Sokolova Gassner
Anya Katarina Sokolova Gassner presents a magnificent composition where body and mind unite. Through a meditative figure surrounded by gold leaf accents, the artist brings the architecture of our thoughts to life.
Analysis of the Work: The Sacred Geometry of the Mind
Creative Melancholy as a Refuge
At the center of the canvas, this contemplative woman appears to have stepped away from the physical world. Her distant gaze reflects an inner journey. The refuge here is a state of consciousness—a mental sanctuary where imagination moves freely.
Setting as a Cartography of the Soul
Furthermore, everything surrounding the subject visually renders her inner landscape. Mosaic patterns, measuring instruments, and celestial maps form a tapestry of memory, created through layered collage techniques and oil paint.
A Dialogue Between Structure and Nature
Ultimately, this internal world remains deeply alive. We observe a subtle harmony between geometric precision and fluid patterns. The canvas reminds us that turning inward opens the door to an infinite universe.
Lenka Sojkaia (Team Lumen)
Lenka Sojkaia delivers a captivating creation titled “The Sanctuary of That Which Does Not Exist.” Balancing the grand panorama of an alpine symphony with the tranquility of a suspended melody, the work constructs a sanctuary of memory.
“I built this refuge from fragments of landscapes. […] I don’t know if a sanctuary should protect us from the world. Perhaps it is simply the place where all the images of the world can finally coexist.” — Lenka Sojkaia
Analysis of the Work and Approach: The Geography of the Impossible
A Sanctuary of Memory and Fragments
Lenka Sojkaia envisions the inner landscape as a space built from gathered fragments. The walls of a deserted architectural space open up to mountains and lakes, turning the sanctuary into a gathering place for disconnected worlds.
The Presence of Absence
Moreover, the empty chair at the center suggests a presence—someone who might be there or has just left. Above all, this space remains open for the viewer. Books resting on the floor introduce the quiet dimension of memory.
An Invitation to Freedom of Perception
Finally, the title captures the essential paradox of creation: what does not physically exist becomes a real place as soon as one dwells within it. This aligns with the gallery’s mission: allowing visitors to observe freely and shape their own impression.
Acknowledgments & Practical Information
The gallery team warmly thanks you for visiting this Virtual Art Exhibition August 2026. We hope this journey through inner landscapes touched your sensibility.🤍
If you have questions regarding the authenticity of the artworks or our digital watermarking process, you will find answers on our FAQ page.
We’d be delighted if you joined our Swiss–French online gallery, open 24/7 to the whole world!
Would you like to take part in our art classes?
We’d truly love to welcome you among us.


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