Furthermore, this artwork serves as both a celebration and a warning. By walking around the sculpture, the viewer can observe the evolution of the four seasons typical of a temperate European country. Yet, this staging directly questions current climate disruption.

In fact, our regions risk transforming into semi-arid or tropical lands. Consequently, this cardboard tree could eventually become the vestige of a lost nature. The artist then poses an essential question: who will still have access to nature tomorrow?

Finally, the deepest meaning of the artwork lies in its journey and the locations chosen by the artist. Initially, the tree was exhibited at the Maison de la Culture in Pontault-Combault. Thanks to the action of the local Relais des Assistantes Maternelles, children were able to appropriate the artwork and touch the cardboard. The artificial nature was thus a space of free and lively sharing.

However, Isabelle Morin subsequently moved her sculpture to the top floor of the Château du Bois-la-Croix. This location features a splendid architecture, yet it remains frozen in an endless restoration project. Currently, this space is completely closed and inaccessible to the public for strictly administrative reasons.

In conclusion, this displacement symbolizes a sad reality. A vast part of our environment and heritage remains confined, confiscated from the general public by bureaucracy. The cardboard tree, locked behind closed windows, reminds us that our survival depends on the good health and accessibility of our immediate natural environment.